Archive for April, 2005

Of Food, Buildings and Blood…..

I have these confused feelings about Singapore. On one hand I hate the soulless efficiency of the place; the cold over-governmental excesses; the way every park bench and every picnic table has a state assigned number (“you have a license to use picnic table E403B on Saturday from 2.30-4.30”…I’m not joking BTW); the way the Department of Youth Affairs (of whatever it may be called) has allocated a certain space for young people to do their wild things (like “hip-hoping” or “skate boarding”) and these things are not permitted elsewhere; the bland uniformity of the malls and the way people dress; that there is not one decent record shop on the island; twelve bucks for a beer in a bar (most of which look good but aren’t…Singapore’s club and bar life is very average) and most of all I hate the zealous need to succeed which permeates the place, crushing some of its heart. You see few birds in Singapore…I guess they couldn’t get a permit to leave their assigned zones. There is a big patch of grass in the CBD with signs saying it’s government grass and cannot be walked on…I always go across it…..its a silly sign of faux rebellion against the omnipresent big brother….

What I love about this bit of reconstituted swamp with four million inhabitants, clashes with the distaste I have for the above. I love the food…everywhere, on street corners, in markets, in food halls, in Little India, in Chinatown, every cuisine you can imagine at any price level you want (I crave the claypot Chicken Curries you find out in the suburban food markets, and the crunchy baby squid and water chestnut from the big Hawker’s Market just south of the Fullerton); I love the technology, which puts most of the rest of the world to shame, and the personal access to technology (although can I find a decent Bluetooth mobile printer anywhere? ..big big gap in the market as the guys in Funan kept telling me…)..in Singapore as the rest of the world goes gaga still over the iPod, they’ve moved onto the Creative Zen and the new Walkman (I’m not sure if that is consumer facism or progress)..it moves so bloody fast; the way you can txt a cab to a rank and it arrives with your name flashing…and it only costs a few dollars to go anywhere; the wireless hotspots with free broadband at the airport and in malls and cafes; the incredible architecture and the way the new sits so well with the old…Auckland, hang your head in shame (although the architecture outside the central city gives you some idea of what inner city AK is gonna look like after Tony Tay is finished with his jailcell ghettos)….; but as much as anything I love the way that despite the officious bureaucracy of the place, it still resounds with the human spirit that they can’t dampen…and, like Russia which, after 70 years of a brutal failed revolution, still had the drive to rise against it in 1989-90, I doubt they ever will.

But I doubt I could ever live there again

I’ve been to Singapore five times in the past year, after a gap of some twenty years and on the second visit I rented a car and hunted out the house I used to live in as a young boy. Back then it was an average tropical bungalow in an average housing district called Frankel Estate, that the RNZAF rented for our family. We were the only Europeans on the street …I grew up playing with the local Chinese kids and by age 5 spoke fluent Mandarin (all gone now of course). The street (Frankel Drive) was still there on the A-Z map, which in itself is a wonder…in the intervening decades much of Singapore has demolished and redeveloped, so we did a search…Brigid on the map, which in itself was brave, and we found it. The same little house which looks pretty much as I remember it, and considering I last saw it when I was five, I was taken aback by that. I had resigned myself to the fact that it would bear no resemblance to my memories. It looked the same, down to the furniture on the patio and the Banana tree out front. The street, and the estate, on the other hand had metamorphosed into an obviously very upmarket suburb complete with those massive pillared mansions that look like Southfork on Steroids that the Chinese rich are so fond of. But somehow, in the middle of this, my childhood house had survived. It was the only house in the street that had. We, being, me and daughter as Brigid got grumpy at this sentimentality and went back to the car, peered over the fence and the neighbours looked suspiciously at us. I videoed the whole thing and the surrounding streets, to make into a DVD for my parents and we left. It made me feel pretty good to see it again.

So I’m sitting on a lounger beside a pool at a private villa in Sanur, Bali writing this. Its business..it really is, and I have to keep on telling myself this. I’m having music withdrawals. I need new music to survive and I might check out the new “DJ” shop here but my hopes are not high..although I know I’ve got the new Glimmers !K7 comp waiting in Auckland and I wish I’d bought the Digweed Choice album in Singapore…I’m not within a million miles of being a John Digweed fan but this looks pretty good. After giving away the Bloc Party album, I think I want it again..sucker..my one golden rule of never parting with anything has to be more religiously adhered to, I think.

But the music outlets here are sad. On the other hand, I love MTV Asia, in small doses. Its not that much of the local pop is that good..much of it is hard going..its more that its so well made..so slick and sharp and the presentation puts much of the stuff that we produce to shame. Its so well crafted and edgy…the industry side of me appreciates that. There is always one song though..every time I come to this part of the world, and this time there is this poppy guitar based punk funk thing out of Malaysia that I keep on hearing but can’t catch the name of…last time I was here I was singing songs to shop staff to find one track..they just looked bemused at the crazy guy from Selandia Baru.

What I do want is another shot at that West Sumatran Padangnese food they serve at the warung up the jalan. The first time we went, they bought out about 25 plates of food and we, so as not to appear rude, despite the fact that there were several plates that were decidedly suspect, and that I’d eaten far too much of the amazing rendang and various curries already, felt obliged to try them all, or at least make them look like we had by moving them around a bit. To our surprise it was quite pricey, by Indonesian standards. The taxi driver then told us you only pay for what you eat and you push the rest away untouched… …

I want to go back and do it properly….

And I’ve had the best pizza I’ve had anywhere on the planet in a restaurant called The Village, which used to be across the road from where it is now but has recently moved into more upmarket premises…unbelievable…..nothing, anywhere on planet earth touches this place for the quality, variety, presentation and depth of flavour in the food. I guess if paradise had to be defined then Bali is about as close as you get on planet earth.

On the surface at least.

The dark side is well explored in John Hughes superb “The End of Sukarno” written in the late sixties. It’s excellent until the last chapter, which betrays its US cold war origins and must, if Mr Hughes is still around, be profoundly embarrassing to him. The US role in the 1965 massacre of some 300,000 Indonesian communists and ethnic Chinese is also ignored. The CIA gave lists of people it wanted terminated to the military, who happily dispatched them. Bali, for all its peace and serenity, was one of the most blood covered parts of the nation as it ripped itself apart after a failed leftist coup, with some 40,000 massacred. The odd side of this, from a western perspective, was that many, if not most of these, murdered in Bali went to their deaths without objection it seems. The island saw the period as some of natural cleansing. Whole villages were simply taken out and killed, and headmen selected those in his village for death. As a European on a different spiritual plane, I can’t get my head around that, and I wondered, if there is no objection from those being cleansed, whether murder is the right word, or simply a preconception we have.

As I travel around this island all that haunts me a little…….

Selamat Pagi

I’m in Indonesia where things happen slowly..another post is coming (but there are other distractions)

The OD (in Sanur)

And………

This post was first sent by me to the NZ Radio discussion list, on which I lurk and occasionally post and I had several people, not least of whom was Peter Mac, ask me to post it here, so….

I’m willing to bet anything that the next NZ artist to break abroad will not be signed to a major. Fat Freddies as yet unreleased album is creating a major stir internationally already, although they’re largely ignored by the mainstream here…it might be FFD or The Mint Chicks or Greg Churchill, whose had two UK pop charting singles so far or someone else, but the signings to our majors are traditionally pretty uninspired and I see nothing right now to change that opinion (even the bulk of the “indies” signed and funded by majors are included in that…I had the misfortunate to sit in a room with two friends out of the US a few days back..non industry types but music purchasers..as they watched Savage perform our current number one..and I squirmed as they rolled around in hysterics). I absolutely exclude Scribe & Pete M from that though…if Scribe can hold it together they have legs

Aly..The only act I can think of signed to a major directly in NZ to get any traction offshore is Hayley W (Enz were on Mushroom and Crowdies on US Capitol then UK Parlophone) and she had to move to the UK operation (Universal NZ gets an override) to make it work. OMC ended up on PolyGram as we simply didn’t have the funds to take it to the next step but it’s a decision I’ll always regret as Poly/Universal made a dogs breakfast of it, with bad decision after bad decision being made in Australia in particular, over which we had little control, and the way Pauly’s career was handled after the single is a disgrace. It goes back to my firm belief that majors more often than not simply don’t understand anything beyond marketing

Which is one of the reasons indies do better than majors in selling NZ acts. The other is the global system where territories have their own priority acts and odd bands from NZ don’t hit the radar.
Why push a Brooke Fraser in Germany when they have half a dozen acts like that on their own books, all of which have local investment and the jobs of the local A&R guy /gal who signed then riding on them.
Dead in the water before they start….

Extended Play on George 6 April

Kitty Grant-Glad to Know You-Canyon-1983
Style Council-Party Chambers-Polydor-1983
Salsoul Orchestra-Lovebreak-Salsoul-1983
Johnny Dynell-Jam Hot (Mark Kamins Rubber mix)-Atoll-1988
Kriss Coleman-Shine (Larry Heard Sunrise mix)-Alleviated -1992
Slave-Watching You-Cotillion-1980
James Brown-No Static (Full Force Def Mix0-Scotti Bros-1988
Earth People-Reach Up to Mars (Martian Mix)-Champion-1990
Kerri Chandler-Inspiration-Freetown-1994
Brian Wilson-My Prayer (Freeform Five mix)-Nonesuch-2005
4 Hero-Mr Kirk’s Nightmare-Reinforced-1990
Common-New Wave (Playgroup dub)-White-2004
Melba Moore-Its a Peach Melba-Moxie-2003
Out Hud-Its For You-!k7-2005
Jay Williams-Sweat-Big Beat-1990
Todd Terry-Weekend-Sleeping Bag-1988
Fast Eddie-Yo Yo Get Funky (Original)-Dj International-1988
Joey Beltram-Energy Flash-Transmat-1990
Happy Mondays -Step On (Oakenfold Stuff It In mix)-Factory-1990
Kym Mazelle-Useless-Syncopate-1988
Robert Owens-Visions (Morales / Knuckles Dreamy mix)-4th & Broadway-1990
Putsch 79-Cokiane Dub-Clone-2003
Aaron Carl-100%-Planet E-1998
Capricorn-20Hz-R&S-1992
Captain Sky-Super Sporm-Dynamic Sounds-1980
GU-Pulp Fiction-White-1996
LL Cool J-I’m Bad-Def Jam -1985
Mantronix -Ladies-Sleeping Bag-1986
Culture Club-Church of The Poison Mind-Virgin-1983

no EP for next four weeks…….


Credit Cards and a Maserati….

It must be a world record for CD re-issue gestation, problems with record companies, missing master tapes and a five way democracy all with the power of veto, but fifteen years after it was first mooted I finally have a CD reissue of the Toy Love album in my hand.

Yes…..I do have in my possession, courtesy of the outer reaches of Rupert Murdoch’s empire, the mighty “Cuts”, a double disc set comprising the original album and singles on disc one, all remastered to some degree, and a second disc of bits and pieces, some released (like the AK79 tracks) and some unreleased. It comes out on Anzac Day I’m told (does that have some significance…if so I can’t figure out what it is but how does one release on a public holiday?) and it deservedly is gonna be huge and travel around the world. The record company woes for Toy Love go back to the early days, and, as far as I can gather no actually knows who owns this stuff. I would imagine Warners own the first single but probably have no idea they do and after all the grief, its warming to see that this album is copyrighted to the band.


Toy Love were a fucking wonder, they really were. I remember the day the Enemy arrived in Auckland…we all thought they were a bunch of bloody hippies but they changed the face of the city and the sound of the nation. There was nothing quite like the Saturday afternoons at The Windsor over the spring and summer of 79-80..hundreds of punkish looking teens invading main street of the pristine upper middle class Parnell every week and causing mayhem (not least to my flat..Chris had an unfortunate habit of announcing a party at my place on stage…). Terry Hogan, the man who signed Toy Love to WEA, and myself were running the local record shop, which, in the Stalinistic days of Rob Muldoon, was the only record shop open in Auckland on a Saturday..we closed at 2pm too. In mid 79 we were, thanks to Terry, the first to get the “Rebel” / “Squeeze” single and, with Toy Love playing down the road, we sold a truckload (we did a similar trick with the other great local single of 79..”Saturday Night Stay at Home”). It was a time when most local bands simply didn’t release records (sure Hello Sailor and Th’Dudes had stuff out but Sailor were cool but of a previous era and Th’Dudes simply weren’t ever close to cool at all) and this record was a mind fuck and to this day I can’t listen to it without shivers… the second single was just about as good, but the first was, and is the one. Funnily enough if any record the band released sounds unlike them live though, it was this one.

Legend has it that the Toy Love album was a disappointment. Little bit of revisionism going on there….I disagree. I hated the sleeve..still do (I was never a fan of Toy Love’s graphics but that’s’ neither here nor there..good videos though in an era when crap videos were the rule) but what was inside it worked for pretty much everybody at the time. It sounded rough and unpolished and the production was a bit ropey but that was Toy Love live..they always sounded rough as guts but it was about the show…nothing could hope to faithfully capture Mike Dooley’s machine like pounding or Jane’s incredible cascades of sound on vinyl. Toy Love, as a unit were simply uunbelievable live..every single one of them..but working as cohesive chaos with an obvious expiry date built in. No band could perform like that and last. I like the remaster on the disc (no remix as the masters are AWOL) but I pulled out the original vinyl and I think despite it all I kinda like the 1980 issue more aurally..it’s warmer and sparkles a bit more. But the band doesn’t like it and that’s fine with me…

The demos on disc two give you an insight into that and I’ve got a few live tapes somewhere (including one recorded by Nigel Russell and little brother Harry “Ratbag” which has a killer take of Shocking Blue’s “Venus” and another of the rarely performed “Positively 4th St”into “Yummy Yummy Yummy”…Toy Love did quite a few covers) which bring a nostalgic tear to my eye..although the tapes are rough and I think you kinda had to be there to listen to them

The influence of these five, working as a band, is massive….Flying Nun later on of course…but the influence went way beyond that. I’d done a record with the Suburban Reptiles but it was Toy Love that inspired a whole lot of us to start labels and you can draw a line from Toy Love to the likes of The Meemees, Car Crash Set and Body Electric and the whole indie pop explosion of the eighties. They changed attitudes, the way we did things and approached our lives…they added humour, anarchy and a fuck you to the next two decades and NZ would’ve been a lessor place without them

soooo….wicked…a brand new Toy Love Cd to play loud….my daughter has already asked me to take it off